伪史爱好者们没法垄断学术是因为文物买卖是真的有人出钱，不会给他们崇洋的意识形态买单的。你拿什么学阀规范说事，没人搭理你的
行家评议：古希腊雕塑 都是假货!
此博文来自论坛版块：史海钩沉（History）
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和尼玛抖音上平均初中没毕业水平一个档次
他是个屁的专业人士
专业的会不了解从迈锡尼时代到经典时代雕塑的发展成熟过程?
吵吵伪史论的,带着专业帽子的是蠢坏,揣着明白装傻,楚王好细腰,宫中多饿死,顺便收割弱智民粹流量发财的
被忽悠着信的,那就是纯蠢
其实古希腊雕塑用石料进行拼接是很常见的，比如维纳斯就是两块拼成的。至于原因，稍有常识就能想到，比如大型雕塑很难找到一整块的石材，运输雕刻也麻烦，一旦刻坏了，整大块石材就废了。至于他说的手臂中的孔洞，就是为了装金属榫件，连接石材用的。有一点他倒是说对了，因为可以用金属件连接石材，古希腊雕像可以做出伸展的翅膀或者双臂，这是中国古代雕塑做不到的。
Yes, the arms and other parts of ancient Greek statues were joined by metal, but the methods varied depending on the material of the statue.
Bronze Statues: These were often created using the lost-wax technique, where different parts (like arms, head, torso) were cast separately and then joined together using techniques like soldering.
Marble Statues: While primarily carved, marble sculptures, especially those with outstretched limbs or projecting elements, often incorporated metal supports or dowels for stability. In some instances, marble parts were joined using iron clamps secured with molten lead, which also helped prevent rusting. These metal supports often functioned as internal reinforcement, helping to maintain the integrity of the statue, particularly in areas under tension, according to Milystatue. For instance, the famous Venus de Milo, a marble statue, utilized such techniques with her arms and even her torso being joined from separate pieces, with the seams cleverly concealed or filled.
The use of metal joining methods, whether for assembly or reinforcement, was crucial for the creation and preservation of these sculptures. The skill involved in these joining techniques, especially in bronze statues, is considered a significant technical achievement of Greek and Roman craftsmanship, according to The Metropolitan Museum of Art.